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Over top of the drawing of the head and hairline outline the main shape/shapes of the hair. Erase the parts of the head (including the hairline) that are hidden by the hair once you are done drawing it’s basic shape. Refine the shading by creating smoother gradients between the mid tone, light and “in shadow” areas of the hair. The main goal of this step is to apply an initial layer of shading that will define the light, medium and dark areas of the hair. Gradually add in the smaller folds and clumps of the hair to better define it’s shape. You can erase parts of the outline from the previous step where needed.
Drawing Realistic Long Straight Hair
And again, we can simplify this further into smaller shapes that describe the clumps. The four step approach that we explored above can also be used for a single lock of hair... For each layer of graphite that we apply, we'll use a blending stump to work the medium into the tooth or texture of the paper.
Step Three - Developing the Volume Through Value
As you proceed, carefully and gently outline these different areas with your pencil. To make hair look shiny, you will need to add highlights. Use a lighter pencil to draw in some brighter areas. A mechanical pencil with a fine tip is best for drawing hair.
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Step 12
These lengthy, gentle strokes should closely follow the pencil lines. Remember to consult your reference image frequently. Up until the areas where volumes of overlap, we can continue in this manner. Keep in mind that until the hair merges with other clumps of hair, it is often exposed to light. Given the number of shadows in these areas, our drawing strokes will be darker.
Pick out a fine-tipped pen and trace all of the graphite lines. Once you're sure the ink has dried, erase any visible pencil marks. You may start by taking a photo of someone's hair - perhaps your own. Look for a defined collection hair that forms a shape. Any locations within the hair that need to be lighter can be rendered using an eraser.
Simplifying the Complex and Creating Flow
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If you want to create a shiny look or replicate harsh lighting, try to keep the highlights fairly clean. Click here to learn how to draw one from the front and here to draw one from side. Using the same rolling shapes as before, fill out the rest of the hair until you reach the back of the head. Next, sketch several thick, long locks of hair extending from the top of the head to the shoulders (or wherever you prefer). So again, we'll first define the outer contour of the shape of the hair.
I am using my kneaded eraser just as much as I use my pencil throughout this drawing. It's a fantastic tool for drawing hair because it can be used to pick out specific details, or to lighten larger areas of value. Watch this video tutorial on my three favorite kneaded eraser techniques for realistic drawing here. Over top of the drawing of the head add an outline of the main shape/shapes of the hair. At this stage don’t worry about getting every small hair clump but instead focus on it’s overall volume and large shapes that define the hairstyle.
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I’d recommend researching and practicing as much as possible. I might change my mind later on, but this stage allows me to see my hair ideas more clearly. Shade the whole haircut now, drawing curls all around.
The artist behind this sketch teaches others how to draw amazing manga art. If you want to learn how to draw hair, I hope the step-by-step drawing tutorials will teach you how to do so. Near the top of the head, where the hairs emerge, we can also discern these little details.
Note that those areas are places where the light doesn’t hit directly or where the hair overlaps. Again, with your mechanical pencil or your 4B pencil, mark the hairline position very softly. Hair has always been present in art, being the common nightmare of the beginner artist.
Work your strokes inwards so they fade in the middle of the lock. In order to draw hair with flow, you need to be aware of the structure underneath. For long hairstyles in their resting state, the hair flows down, hugs the head and wraps around the shoulders. You want to begin by sketching the basic structure of the hair and keep your strokes loose and simple. Starting a little above the hairline (or forehead), draw large petal-like shapes to create the bangs. Don't be afraid to work the values to increase the contrast.
Light values and dark values work together to inform us of the texture of the subject. High contrast between values with little transition or gradation often leads to the illusion of coarse texture. We know that locations within the hair that are closer to the light source or extend out from the head are likely to "catch" more light. Naturally, this results in an area of lighter value.
Starting at the hairline, sketch a line to indicate the parting of the hair (whether it is in the center or to the side). This can be anywhere (left, right, center), but it may help to look at a couple of photo references first. People are some of the most fascinating and difficult subjects to draw. From rendering the complexity of eyes to the shapes of lips, there are many different nuances involved. And, while facial features capture the likeness of a person, hair can say a lot about their personality and style. Once we have the main body of the hair developed, we can go back and add those stray hairs.
Always bear in mind that the goal of drawing hair is to resemble the true quality of hair. A collection of lines that might be wavy, curly, straight, etc. are what comes to mind when we think of hair. We draw these by gradually adding deeper tones and shadows. Another crucial point to keep in mind is that the lines of the hair are thick where it is dark and thin when it is light. Then, as previously said, we want to carefully and delicately start applying the more gentle pen lines.
For the top part, we are going to use loose “C” shapes, as shown in the diagram, following the direction of the arrows. For more fluid and dynamic hair, use three kinds of strokes. I hope you've enjoyed this tutorial on how to draw hair!
As you slowly approach the hair tips, try to observe how the hairs both break and cluster together in a straight cut there. This will reflect the characteristics of how actual hair actually grows from the scalp and falls toward the shoulders. Add more layers of strokes over top of the first one to smooth out the gradients and darken the overall shading. Again be sure to leave some distance between the strokes to give an effect of individual hairs.
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